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Category: Reviews (Film)

6 April, 202510 March, 2025 Bryan Mercadente

Save My Seoul (2017): A Sanctimonious Snooze-Fest

6 April, 202510 March, 2025 Bryan Mercadente

Eden Lake (2008): A Nightmare of Modern Britain

4 April, 202510 March, 2025 Bryan Mercadente

Skinford: Death Sentence (2017): A Squandered Premise Drenched in Mediocrity

2 April, 202510 March, 2025 Bryan Mercadente

Double Blind (2023): A Clever, Unnerving Take on Science and Survival

30 March, 202510 March, 2025 Alan Bickley

The Wailing (2016): South Korea’s Masterpiece of Madness and Fear

28 March, 202510 March, 2025 Alan Bickley

Blood and Money (2020): A Dreary Trudge Through Snow and Nonsense

26 March, 202510 March, 2025 Bryan Mercadente

We Still Steal the Old Way: The Sequel Nobody Needed

23 March, 202510 March, 2025 Bryan Mercadente

We Still Kill the Old Way (2019): A Pleasant Surprise in the Crime Genre

19 March, 202510 March, 2025 Bryan Mercadente

VFW: Gore, Neon, and Not Much Else

17 March, 202510 March, 2025 Bryan Mercadente

Project Wolf Hunting: A Relentless Voyage into Horror and Action

13 March, 202510 March, 2025 Bryan Mercadente

Curse of the Sin Eater (2023): A Thoughtful Exploration of Temptation and Responsibility

12 March, 202510 March, 2025 Bryan Mercadente

Going Off Big Time: A Crime Drama That Goes Nowhere

8 March, 202510 March, 2025 Bryan Mercadente

The Witch: Part 1 – A Thrilling, Character-Driven Sci-Fi Masterpiece

5 March, 202510 March, 2025 Bryan Mercadente

Those About to Die: An Historical Epic That Flatlines

3 March, 202510 March, 2025 Bryan Mercadente

Monster (2014): Art, Murder, and the Horror of Family

25 February, 202510 March, 2025 Bryan Mercadente

The Russian Bride: A Gothic Thriller That Loses Its Mind in the Final Act

19 February, 202510 March, 2025 Bryan Mercadente

The Gentlemen: Guy Ritchie’s Triumphant Return to Crime and Chaos

17 February, 202510 March, 2025 Bryan Mercadente

Saltburn: A Hollow Imitation of Better Stories

15 February, 202510 March, 2025 Bryan Mercadente

Red Ghost (2020): A War Film Without the Supernatural, but Not Without Interest

12 February, 202510 March, 2025 Sebastian Wang

Salaryman: The Death of Individuality in Japan’s Work Culture

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This website is the property of the Libertarian Alliance Ltd. The views expressed in publications on this site are those of their authors, and not necessarily those of the Libertarian Alliance, its Committee, Advisory Council or subscribers.

  • Save My Seoul (2017): A Sanctimonious Snooze-Fest
  • Eden Lake (2008): A Nightmare of Modern Britain
  • Skinford: Death Sentence (2017): A Squandered Premise Drenched in Mediocrity
  • Double Blind (2023): A Clever, Unnerving Take on Science and Survival
  • The Wailing (2016): South Korea’s Masterpiece of Madness and Fear
  • Review of The Need for Nations by Roger Scruton
  • Blood and Money (2020): A Dreary Trudge Through Snow and Nonsense
  • We Still Steal the Old Way: The Sequel Nobody Needed
  • Review of Against Intellectual Property by N. Stephan Kinsella
  • Why Vegetable Oils Are Slowly Killing You: A Review of Dark Calories

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  • Save My Seoul (2017): A Sanctimonious Snooze-Fest
  • Eden Lake (2008): A Nightmare of Modern Britain
  • Skinford: Death Sentence (2017): A Squandered Premise Drenched in Mediocrity
  • Double Blind (2023): A Clever, Unnerving Take on Science and Survival
  • The Wailing (2016): South Korea’s Masterpiece of Madness and Fear

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avatar for Alan BickleyAlan Bickley
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